Multiple prominent artists including Pearl Jam, Regina Spektor, R.E.M., Sia and Lorde have signed a letter alongside the Artists Rights Alliance, demanding that political parties “establish clear policies requiring campaigns to seek the consent of featured recording artists, songwriters, and copyright owners before publicly using their music in a political or campaign setting.” This letter was addressed to Congress earlier today and follows several highly publicized incidents, where US President Donald Trump used artist’s songs for his rallies without their permission.
Other prominent artists who have signed this letter include Rolling Stones’ Mick Jagger and Keith Richards, Panic! At The Disco, Aerosmith, Blondie, Elvis Costello, Sheryl Crow, Rosanne Cash, Amanda Shires, Lionel Richie, Green Day and Linkin Park.
The frontmen for Panic! At The Disco and Aerosmith have both called on the Trump administration to stop using their songs during campaign rallies, joining the likes of Neil Young, Guns N’ Roses’ Axl Rose, The Village People’s Victor Willis, heavy metal pioneer Ozzy Osbourne and the estates of Tom Petty and Prince. Linkin Park recently had their hit song “In The End” pulled from a Trump campaign ad.
“Being dragged unwillingly into politics in this way can compromise an artist’s personal values while disappointing and alienating fans – with great moral and economic cost,” the letter reads. “For artists that do choose to engage politically in campaigns or other contexts, this kind of unauthorized public use confuses their message and undermines their effectiveness.”
While some of these incidents have resulted in cease-and-desist letters sent to the Trump campaign, it is difficult to prevent their use in public spaces. According to Digital Music News, these songs operate under a statutory performance license, which allows the broadcast of songs for public-event usage, as long as a blanket fee is paid. The letter calls on a response by August 10, as many politicians begin preparing vehement political campaigns for the November elections.
Read the full letter below:
Letter to Campaign Committees
July 28, 2020
Republican National Committee
310 First St SE
Washington, DC 20003
Democratic National Committee
430 South Capitol St SE #3
Washington, DC 20003
National Republican Senatorial Committee
425 2nd St NE
Washington, DC 20002
Democratic Senatorial Campaign Committee
120 Maryland Ave NE
Washington, DC 20002
Democratic Congressional Campaign Committee
430 South Capitol St SE
Washington, DC 20003
National Republican Congressional Committee
320 First St SE
Washington, DC 20003
Dear Campaign Committees:
As artists, activists, and citizens, we ask you to pledge that all candidates you support will seek consent from featured recording artists and songwriters before using their music in campaign and political settings. This is the only way to effectively protect your candidates from legal risk, unnecessary public controversy, and the moral quagmire that comes from falsely claiming or implying an artist’s support or distorting an artists’ expression in such a high stakes public way.
This is not a new problem. Or a partisan one. Every election cycle brings stories of artists and songwriters frustrated to find their work being used in settings that suggest endorsement or support of political candidates without their permission or consent.
Being dragged unwillingly into politics in this way can compromise an artist’s personal values while disappointing and alienating fans – with great moral and economic cost. For artists that do choose to engage politically in campaigns or other contexts, this kind of unauthorized public use confuses their message and undermines their effectiveness. Music tells powerful stories and drives emotional connection and engagement – that’s why campaigns use it, after all! But doing so without permission siphons away that value.
The legal risks are clear. Campaign uses of music can violate federal and (in some cases) state copyrights in both sound recordings and musical compositions. Depending on the technology used to copy and broadcast these works, multiple exclusive copyrights, including both performance and reproduction, could be infringed. In addition, these uses impact creators’ rights of publicity and branding, potentially creating exposure for trademark infringement, dilution, or tarnishment under the Lanham Act and giving rise to claims for false endorsement, conversion, and other common law and statutory torts. When campaign commercials or advertisements are involved, a whole additional host of rules and regulations regarding campaign fundraising (including undisclosed and potentially unlawful “in-kind” contributions), finance, and communications could also potentially be breached.
More importantly, falsely implying support or endorsement from an artist or songwriter is dishonest and immoral. It undermines the campaign process, confuses the voting public, and ultimately distorts elections. It should be anathema to any honest candidate to play off this kind of uncertainty or falsely leave the impression of an artist’s or songwriter’s support.
Like all other citizens, artists have the fundamental right to control their work and make free choices regarding their political expression and participation. Using their work for political purposes without their consent fundamentally breaches those rights – an invasion of the most hallowed, even sacred personal interests.
No politician benefits from forcing a popular artist to publicly disown and reject them. Yet these unnecessary controversies inevitably draw even the most reluctant or apolitical artists off the sidelines, compelling them to explain the ways they disagree with candidates wrongfully using their music. And on social media and in the culture at large, it’s the politicians that typically end up on the wrong side of those stories.
For all these reasons, we urge you to establish clear policies requiring campaigns supported by your committees to seek the consent of featured recording artists, songwriters, and copyright owners before publicly using their music in a political or campaign setting. Funding, logistical support, and participation in committee programs, operations, and events should be contingent on this pledge, and its terms should be clearly stated in writing in your bylaws, operating guidelines, campaign manuals, or where you establish any other relevant rules, requirements, or conditions of support.
Please let us know by August 10th how you plan to accomplish these changes.
Sincerely,
Aerosmith
Alanis Morissette
Amanda Shires
Ancient Future
Andrew McMahon
Artist Rights Alliance
B-52s
Beth Nielsen Chapman
Blondie
Butch Walker
CAKE
Callie Khouri
Courtney Love
Cyndi Lauper
Dan Navarro
Daniel Martin Moore
Duke Fakir
Elizabeth Cook
Elvis Costello
Erin McKeown
Fall Out Boy
Grant-Lee Phillips
Green Day
Gretchen Peters
Ivan Barias
Jason Isbell
Jewel
Joe Perry
John McCrea
John Mellencamp
Keith Richards
Kurt Cobain estate
Lera Lynn
Lionel Richie
Linkin Park
Lorde
Lykke Li
Maggie Vail
Mary Gauthier
Matt Nathanson
Matthew Montfort
Michelle Branch
Mick Jagger
Okkervil River
Pearl Jam
Panic! At The Disco
Patrick Carney
R.E.M.
Regina Spektor
Rosanne Cash
Sheryl Crow
Sia
Steven Tyler
T Bone Burnett
Tift Merritt
Thomas Manzi
Train
Photo Credit: Alyssa Fried
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