Mumford & Sons Bring Their Prizefighter Tour to the Kia Forum in Los Angeles

On October 7, Mumford & Sons brought their Prizefighter tour to the Kia Forum in Inglewood, California, delivering an energetic performance filled with fan favorites, newer material, and plenty of audience interaction. The British band, consisting of Marcus Mumford, Ben Lovett, and Ted Dwane, was joined by an extended group of musicians for a set that balanced the band’s folk-rock roots with an elaborate arena production.

At approximately 9:15 p.m., the lights dimmed as the band took the stage to loud cheers. The setup featured elaborate gold decorations resembling wings, with lighting fixtures surrounding the musicians. Opening with “Run Together,” the group introduced the audience to its newer material before launching into “Little Lion Man.” The familiar guitar rhythm immediately drew a reaction from the crowd, with fans singing along as the band delivered the song’s driving acoustic instrumentation and powerful percussion.

“Rubber Band Man” followed, keeping the energy high before the band shifted into “Awake My Soul.” The latter provided a more subdued moment, allowing Marcus Mumford’s vocals and the group’s harmonies to take center stage. The contrast between the upbeat opening numbers and the softer arrangement highlighted the band’s ability to move between different sounds without losing the audience’s attention.

The energy picked back up with “Lover of the Light,” featuring prominent percussion and increasingly intense instrumental passages. The drummer stood out during the performance, earning recognition from Mumford as the song progressed. The stage production also shifted throughout the set, with the gold decorations eventually removed to reveal a darker backdrop illuminated by blue lighting.

“Hopeless Wanderer” brought another lively moment, driven by rapid acoustic guitar strumming and upbeat percussion. Mumford incorporated a tambourine into the performance, tapping it against his hip as the band maintained the song’s infectious rhythm. A rotating disco ball reflected light throughout the arena as red lighting washed over the stage, adding to the celebratory atmosphere. The musicians closed the song with an extended guitar strum, drawing enthusiastic applause.

The band continued with “Prizefighter,” the title track from its latest album, before moving into “Believe” and “Truth.” The newer material showcased the group’s evolving sound, incorporating layered instrumentation and atmospheric arrangements while retaining the folk influences that helped establish its identity.

At approximately 10:10 p.m., the musicians left the main stage, briefly leaving the audience wondering what would happen next. The band soon reappeared on a smaller platform in the middle of the arena floor, surrounded by concertgoers. Overhead string lights illuminated the area as Mumford, Lovett, and Dwane gathered around a single microphone for an acoustic performance of “Timshel.”

The stripped-down arrangement was a highlight of the evening. Without the full band’s instrumentation or elaborate production, the trio’s vocal harmonies became the focus. Couples swayed together while other fans raised their phones to capture the intimate moment, creating a striking contrast with the larger-than-life atmosphere of the main stage.

Rob Moose and Matt Menefee joined the trio for “Clover” and “White Blank Page,” adding violin and banjo to the arrangements. The additional instrumentation complemented the group’s harmonies, emphasizing the traditional folk elements of the songs. The performances were quieter and more intimate than the rest of the concert, allowing Mumford’s expressive vocals to stand out.

Following the acoustic interlude, the band returned to the main stage for “Babel,” bringing back the full instrumentation and energetic percussion. “Ditmas” followed, accompanying one of the evening’s most memorable moments. Mumford left the stage and ran through the audience while continuing to sing, with a spotlight following him through the arena. He made his way into the upper seating sections, hugging and high-fiving fans as security attempted to keep up. The unexpected interaction brought excitement to concertgoers throughout the venue, particularly those seated far from the stage.

Back onstage, the band launched into “The Cave,” prompting another enthusiastic singalong. The recognizable guitar rhythm and powerful chorus had fans singing along throughout the arena, reinforcing the lasting appeal of the band’s earlier material.

Sierra Ferrell, who had opened the evening, returned to join the group for “Here.” Wearing a flowing white dress, she complemented Mumford’s vocals as the arrangement incorporated acoustic guitar and prominent brass instrumentation. Three trumpet players added a bright, lively sound to the performance, blending country, folk, and rock influences.

The main set concluded with “The Wolf,” one of the night’s heavier performances. Electric guitars and forceful drumming gave the song an aggressive edge, while fiery visual effects and bright lighting heightened the intensity. The band brought the number to a dramatic finish before leaving the stage to an enthusiastic response.

After a brief encore break, Mumford & Sons returned with “The Banjo Song,” a lively selection from Prizefighter. The upbeat rhythm encouraged fans to sway along, with the banjo adding a playful quality to the arrangement.

The band followed with “I Will Wait,” arguably the night’s biggest singalong. The opening notes prompted an immediate reaction, and much of the audience joined in on the familiar chorus. Bright lights flickered across the stage as sparks descended from above, complementing the driving percussion and rapid acoustic guitar strumming. With fans raising their hands and singing along, the performance became one of the evening’s most energetic moments.

Mumford eventually announced that the band had one final song remaining. The group closed with “Conversation With My Son (Gangsters & Angels),” bringing the energy down for a more reflective conclusion. Some concertgoers began heading toward the exits, seemingly hoping to beat the traffic, while those who remained clapped along as the musicians finished the performance.

As the final notes rang out, the disco ball rotated above the stage, scattering light across the arena. The band received a final round of applause before the house lights came on and the audience began making its way out of the venue.

Mumford & Sons’ October 7 performance at the Kia Forum demonstrated the band’s ability to balance the intimacy of its folk roots with the scale of an arena show. From the stripped-down acoustic set in the middle of the crowd to Mumford’s spontaneous trip through the upper seating sections, the concert offered several moments that extended beyond the music itself. With a setlist spanning the band’s earlier catalog and newer Prizefighter material, the group delivered a performance built around strong musicianship, recognizable songs, and an audience that remained engaged throughout the night.

Setlist: Mumford & Sons at the Kia Forum, October 7, 2026

Main Set

“Run Together”

“Little Lion Man”

“Rubber Band Man”

“Awake My Soul”

“Lover of the Light”

“Hopeless Wanderer”

“Prizefighter”

“Believe”

“Truth”

B-Stage

“Timshel”

“Clover” (with Rob Moose and Matt Menefee)

“White Blank Page” (with Rob Moose and Matt Menefee)

Main Stage

“Babel”

“Ditmas”

“The Cave”

“Here” (with Sierra Ferrell)

“The Wolf”

Encore

“The Banjo Song”

“I Will Wait”

“Conversation With My Son (Gangsters & Angels)”