Trent Reznor Wants to Focus on Scoring Films and He’s Set to Score Upcoming Film After The Hunt and the New Adaptation of American Psycho

In a recent interview, Reznor revealed his enthusiasm towards scoring films and claimed that “the culture of the music world sucks”. Reznor is set to compose the score for the highly anticipated film After The Hunt, a thriller expected to captivate audiences with its tense narrative and atmospheric visuals. Additionally, he will lend his talents to a new adaptation of American Psycho, reimagining the cult classic with a fresh and haunting soundscape.

Consequence Sound reports that Reznor likes the idea of working with a small team without the burden of worrying about marketability.

This career pivot is not entirely new for Reznor, who, alongside collaborator Atticus Ross, has already made a significant mark in the film world. The duo’s score for The Social Network earned them an Academy Award, and their subsequent work on projects like Gone Girl and Soul has solidified their reputation as visionary composers.

This new passion does not mark the end of Nine Inch Nails. Earlier this month the band revealed that they are working on new material.

Fans of Reznor’s music are excited to see how his signature style will translate to these upcoming films. With his unique ability to craft emotionally resonant and innovative scores, Reznor’s latest endeavors promise to leave a lasting impact on both the music and film industries.

Photo credit: Raymond Flotat.

Will Close: I am an english major and professional writing minor at Kutztown University. Set to graduate in May, I am a senior. Over the last four years I have studied various eras of literature and have experimented with multiple forms of writing. Currently, I am starting my internship at MXDWN magazine as a breaking news writer and will be spreading the word on all the latest announcements in the music industry. As a lover of music, I will provide the necessary information needed to spread the word on the latest news in music.
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