tētēma Releases Unnerving New Song “Soliloquy”

tētēma, a collaboration between Faith No More and Mr. Bungle’s lead vocalist Mike Patton and Australian pianist, producer, and composer Anthony Pateras, have just released their new song, “Soliloquy”. The tune is a short, uptempo barrage of intense percussion, ominous vocals, and dissonant chord progressions.

“Soliloquy” is the third song to be released by tētēma in preparation of their  second album, Necropscape; the duo released “Haunted on the Uptake” this past January as the album’s lead single. The band also released “Wait Till Mornin” last month in preparation of the release of the album.

Pateras stated about “Soliloquy”, “No other band would combine microtonal buchla with hyperactive drumming to serenade Paganini and Leonard Cohen passed out in a hot tub. This track is like pressing fast forward on both a [Giacinto] Sclesi and Yasunao Tone CD on different systems pointed at each other, except it’s performed live. Quite possibly the only track in the world to refer to Deleuze as ‘chichi.'”

The first album released by the duo, Geocidal, was a unique blast of sound that took the rock, pop, and electronic music world by a storm. All Music described the album as an, “intelligent but ferocious mixture of avant-garde experimentalism, world music accents, and heavy metal velocity”. tētēma’s unique sound has provided them with a solid following that can be expected to grow following the release of Necroscape.

Listen to tētēma’s “Soliloquy” below:

Drew Feinerman: I have just completed my senior at the University of Michigan majoring in international studies with an emphasis in political economics and development, with a minor in Chinese language and culture, and I have recently been accepted into the Berklee School of Music's masters of music business program. Although my academic interests include economics, political science, and history, I consider music to be my one true passion. Music is, and has always been, a driving force for the way I think and act every day of my life. I have been playing the tenor saxophone since the age of ten, and playing an instrument at a high level has allowed me to only further my understanding and appreciation for music. While I grew up listening to predominantly classic rock, I soon found myself gravitating toward jazz, hip-hop, funk, and other genres, as my learned to both play and analyze music as a listener. As a writer, I am able to apply my skills both as a musician and a listener, and look forward to the opportunity to being able to express my thoughts on various stories in the music industry.
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