Second Letter by Female Music Executives Calls Grammys Woefully Out of Touch

The New York Times recently obtained letter sent to the National Academy of Recording Arts and Sciences by a group of powerful women in the music industry. The letter criticizes the Grammys for being “woefully out of touch” with music and society, and calls on the Academy to be more inclusive.

The signers are as follows: Universal Music Group Executive Vice President Michele Anthony; Atlantic Records’ co-chairman Julie Greenwald; Epic Records President Sylvia Rhone; Sony general counsel Julie Swidler and Roc Nation COO Desiree Perez. Each of these women holds a powerful seat within a powerful business; the Academy—and rightly so—has no choice but to listen.

The Academy’s president, Neil Portnow, drew criticism in a different letter for comments overheard backstage at the Grammys about women needing to “step up,” if they want to be nominated. The first letter, citing too few female nominees and his backstage remarks, demanded Portnow step down. The most recent letter, signed by slightly fewer industry executives does not.

“Neil Portnow’s comments are not a reflection of being ‘inarticulate’ in a single interview. They are, unfortunately, emblematic of a much larger issue with the [National Academy of Recording Arts and Sciences] organization as a whole on the broader set of inclusion issues across all demographics,” the letter reads.

Though the music world hasn’t been as roiled by sexual harassment as other entertainment industries, The Grammys reminded everyone that women are underrepresented in music. The Recording Academy promised to establish an ‘independent task force’ to address gender bias—both conscious and not—within the organization.

“I appreciate that the issue of gender bias needs to be addressed in our industry, and share in the urgency to attack it head on,” Portnow said when he announced the initiative. He added, “we as an organization, and I as its leader, pledge our commitment to doing that.”

Conrad Brittenham: My name is Conrad. I am one year out of college and pursuing a career in writing and journalism. I studied literature at Bard College, in the Hudson Valley. My thesis focuses on the literal and figurative uses of disease in Herman Melville’s most famous works, including Moby-Dick, Benito Cereno, and Billy Budd. My literary research on the topic of disease carried over to more historical findings about how humans tend to deal with and think about the problem of virus and infectivity. I’ve worked at a newspaper and an ad agency, as well as for the past year at an after school program, called The Brooklyn Robot Foundry. All of these positions have influenced the way I approach my work, my writing, and the way I interact with others in a professional setting. I’ve lived in London and New York, and have always had a unique perspective on international cultural matters. I am an avid drawer and a guitarist, but I would like to eventually work for a major news publication as an investigative journalist.
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