A calming, comforting record.

The Resurrection Game is only Emma Swift’s second record. Previously a radio host, Swift has been inspired through this broadcasting outlet, finding her sound. This album is soft and folksy.

Representing rediscovery and an escape from a past of disassociation, “No Happy Endings” is a mixture of defeat and effort. With an elevating mix of acoustics and keys, helping Swift rise from this feeling.

Having been a Catholic schoolgirl, I can attest that “Catholic Girls Are Easy” has been floating around and waiting to be written and heard. “In the back of a van with my head against the door, it’s not what I imagined, but it’s what I came here for / Catholic girls are easy; easy to amuse, easy to confuse / Easy to possess, easy to caress.” This song could potentially be triggering for someone who is still in this stage of life, being in a state of confusion, caused by some of the imagery in this song. On the flip side, it could also be interpreted by her nurturing vocals that Swift is trying to comfort the girls in these situations.

“Impossible Air” holds a consistent time signature with a symphonic feel, containing horns and uplifting harmonies. This song is about the tension being held between two people not willing to take a step. They feel defeated, but know there is something there.

On a deeper plane, “How To Be Small” brings in deep drum beats and darker piano. Swift is pleading, “Let me down easy / Let me down sweetly / We are under attack.” The bridge of this song is so strong and elegant. Swift elevates the album with this growth, showing her power and voice variety along with strong, enchanting production.

The Resurrection Game is thoughtful and sweet. Emma Swift has found her sound and is making a voice for herself, with a lot of space to explore and grow as she develops as an artist.