A louder voice for modern metal.

As one examines the progressive European band, Philosophobia, one finds their focused heavy metal sound is driving and intense, mixed with melancholic sections and interludes that are masterfully blended in their latest 2025 release, The Constant Void. This is the second album launched by Philosophobia following their self-titled album in 2022, and the band’s artistic influences that drive the themes of the album – progressive bands such as Kamelot and Dream Theater – are integrated admirably.

The album, The Constant Void, is a collection of  hardcore metal tracks that reflects on the many perspectives of the human condition. The driving force behind the band is primarily their guitarist, Andreas Ballnus, and the drummer, Alex Landenburg, who started an album in 2007. Besides Ballnus and Landeburg, Philosophobia’s other three members of the lineup are Domenik Papaemmanouil (Vocals), Tobias Weißgerber  (Keyboards) and Sebastian Heuckmann (Bass).  Ballnus reunited the band members in 2018, and every band member since then has been a part of the band except the bassist, Heuckmann, who has only played on the album, The Constant Void.

Turning our attention to the second track, “King of Fools,” it demonstrates the capabilities of the band. The song is an all-out assault of heavy metal, with infectious riffs and strong choruses. Additionally, Ballnus also performs a speedy, virtuosic guitar solo during this musical piece. The lyrics focus on the current state of society and the band’s disdain with sadists along with like-minded individuals.

Moving on, the progressive metal onslaught continues during the beginning of “The Forgotten Part I,” the third track on the album. The song later becomes melodic, as the lead singer, Papaemmanouil, demonstrates his wide vocal spectrum, transitioning from harsh to harmonious vocals. Moreover, the song lyrics are supposed to remind listeners about humankind’s vital connection to the Earth and the necessity of respecting it.

Another compelling track on The Constant Void, “The Fall,” also incorporates varying tempos throughout the song. It also maintains the same intensity as the other aforementioned songs on the album. Furthermore, it is a dynamic song that features distorted, driving riffs and a clean instrumental passage. The interaction between the musical elements in “The Fall” illustrates the cycle of life and its inevitable decline until death.

As an album, Philosophobia’s The Constant Void has some very powerful musical pieces. However, its tone changes from a robust beginning and shifts to somewhat random, melodic styles. Regardless, passionate music listeners will appreciate Philosophobia’s incredible view and epic, powerful sound in their second album, The Constant Void, which is a good example of progressive metal.