Jack White performed for two hours, radiating energy that’s rare among seasoned musicians, many of whom burn out or grow weary from endless touring. But White kept his enthusiasm as if the novelty of performing had never faded. Known for his monochrome aesthetic, especially with his former band, The White Stripes, the night’s performance mirrored that vibe—his band appeared almost entirely in black and white, with a striking blue backlight adding contrast. His guitar was yellow, but otherwise, the monochromatic look was complete. It felt deliberate, almost as if he were challenging the audience to question whether or not he is real.
The crowd was as expected—Brooklyn’s rich, loyal followers, many of whom have supported White since the late ’90s. No introduction was needed; his cult-like following had gathered at the Brooklyn Paramount, an expansive, regal venue that matched his legendary status. When he covered “I Wanna Be Your Dog,” it was a moment of raw energy, despite online complaints about his shorter sets. To me, his nearly two-and-a-half-hour performance, complete with surprise covers, showed that he’s still brimming with vitality—something often missing from musicians of his age and experience. Notably, it’s part of his lore that he never follows a setlist, adding to the unpredictability and excitement of the show.
It’s been 25 years since The White Stripes revived rock in the early 2000s, keeping rock ‘n’ roll alive while pop stars dominated the charts. White still carries the unjaded enthusiasm of a newcomer, never losing the inspiration that initially propelled him. A virtuoso guitarist, he rotated through multiple instruments throughout the show, never missing a beat. His band, a close-knit crew, supported him with seamless precision. Only his personal photographer, a trusted friend, is allowed to capture the moments, ensuring his image remains in his own hands. This tight circle of confidants, advisors, and fellow artists creates an exclusive community that feels almost like a throwback to rock ‘n’ roll’s golden age. The sense of old-school rockstar lore is palpable, evoking a time when the artist was not just a musician, but a cultural figure whose presence shaped the very scene around them.
Jack White’s performance was a testament to his enduring passion for music and his dedication to preserving the spirit of rock ‘n’ roll. White recently took to Instagram to address online criticisms of set’s being too short. He argued that the true essence of punk and rock music doesn’t lie in t shirt cannons and elaborate laser light shows and other similar practices that are commonly implemented in concerts by his other industry colleagues. “The Beatles and the Ramones played 30 minute (ish) sets… “ White stated on Instagram. He criticizes the elaborate production value that begins to veer on inauthentic or lacking in artistic integrity.
Even after decades in the industry, he remains an artist who thrives on live performance, continuously pushing boundaries and refusing to become complacent. His commitment to keeping his artistic vision close to the chest—both musically and visually—only enhances his mystique, making each performance feel like a personal experience for both him and his audience. As the night unfolded, it was clear that Jack White’s drive and creativity are as vibrant as ever, refusing to be dulled by time or success.
Set List:
Old Scratch Blues
That’s How I’m Feeling
Fear of the Dawn
It’s Rough on Rats (If You’re Asking)
Apple Blossom
Hotel Yorba
Love Interruption
Broken Boy Soldier
Tonight (Was a Long Time Ago)
(Followed by a snippet of “I Wanna Be Your Dog” by Iggy Pop and the Stooges)
Cannon
Born Under a Bad Sign
That Black Bat Licorice
You’re Pretty Good Looking (For a Girl)
Hello Operator
I Cut Like a Buffalo
Encore:
Archbishop Harold Holmes
Icky Thump
(The White Stripes song) (Fan request)
Lazaretto
Ball and Biscuit
(The White Stripes song)
Underground
Seven Nation Army
Featured Image Photo Credit: Raymond Flotat
