Returning to their roots

Sometimes, there is nothing wrong with going back to one’s roots. For the first time since Eels’ 2001 album, Souljacker, John Parish plays the role as a producer for the band. Extreme Witchcraft recognizes the kinetic energy that is largely regarded as the band’s best and decides to revise it for the better. In a stellar ode to turn-of-the-century rock, there is a poignant combination of classic rock sounds with more contemporary influences. While Eels is known for their consistent sound, the sheen of the production elevates them. It’s a phenomenal piece of music and showcases the significance of this branch of the genre.

“Amateur Hour” immediately begins with an energetic composition. From its loud guitar riffs and belting notes, there is a distinct characterization of the album’s vision. While it is one of the shortest tracks on the album, the production is succinct. It does not feel abrupt, perfectly pacing itself for the rest of Extreme Witchcraft. In a way, it bridges their traditional sounds with the signature production of Souljacker.

Particularly notable in terms of production is “Steam Engine,” which has an almost theatrical quality to it. With mechanical instrumentals and loud drums, the artists sonically create their titular subject. The vocal performance growls in a signature 1970s howl rather than in the more contemporary performances seen in the opening track. The quality of the song truly shines as a highlight.

There are more psych-rock influences with the single “Good Night on Earth,” which has a traditional bassline underlying the more experimental guitar- and drum-work. Particularly poignant are the breaks between the chorus and verses. With such intricate compositions, they almost act as a breather for the song. There is a give-and-take relationship, and like the title of the album alludes, a certain “alchemy” between them.

“Better Living Through Desperation” carries a chaotic edge that really hammers just how talented Eels is at crafting their instrumentals. Almost more important than the vocals themselves, these long breaks are powerfully crafted and elevate the album. Additionally, the key change in this track creates a certain exciting quality, with an airtight recording production to match. There is a certain art in how every track flows between one another within this album.

The closer track “I Know You’re Right” leaves listeners on a more groove-rock note. This track has a pop-like quality that evokes earlier sounds of the album compared to tracks such as “Stumbling Bee” or “What It Isn’t.” The instrumentals are sound as ever, as they feel effortless in the shining gleam of this work. More than anything, Extreme Witchcraft illustrates the true magic within music-making. After fourteen albums, Eels knows what makes the band tick. Fans will certainly embrace this album with open arms.