Amalgamation beyond borders

Jupiter & Okwess hail from (what is now) the Democratic Republic of the Congo, but frontman Jupiter Bokondji split most of his time growing up between Tanzania and East Berlin due to his father’s career in the Congolese embassy. Being raised on a combination of American soul, rock and Congolese rumba throughout the ‘60s and ‘70s, Bokondji’s fascination with music grew until he formed his own band with Okwess. The group’s second album Kin Sonic combines traditional Congolese music with modern Western rock with help from Damon Albarn (Blur and Gorillaz), Warren Ellis (Nick Cave & The Bad Seeds) and Robert del Naja (Massive Attack.)

In this fusion, there is a raw energy that overly produced and polished Western music often lacks. The appropriately-named first track “Hello” immediately shows off Bokondji’s energy and spunk as he switches between laughing and belting out long notes over this bassy tune. While the song carries a heavy ‘90s rock influence, the next track “Musonsu” immediately shows off a groovier and happier tune. Layers of percussion, textures, backing vocals and Bokondji’s own quick lyrics fill the eclectic track. “Ofakombolo” has Bokondji showing off his quick-lipped skills on the mic to a quick-paced, guitar-driven tune.

“Pondjo Pondjo” slows down the pace for the first time and introduces an emotional and haunting atmosphere with layers of horns adding to the jazzy sound. The eeriness alone is thought-provoking—even for those that aren’t able to understand the lyrics—and cleanses the palate for the upcoming adrenaline-pumping tunes.

A groovy dance beat and guitar distortions create a funk sound on “Emikele,” but about halfway through the track, a synth beat jumps in and infuses the tune with more modernity. “Nkoy” is introduced with gentle guitar and somber vocals before the mood completely switches when a cheerier drum beat is layered on top. Bokondji shows off his raspiest vocals briefly before the track simmers down again.

The true range of the group is shown off on the final tracks. Funky guitar dances around on “Nzele” while “Le Temps Passé” is mellow, raw and full of background noise and spoken musings. Fuzzy electric guitar is the star on the standout track “Ekombe” with an infectious riff and get-up-and-dance worthy rhythm. The track is in your face and not at all subtle, as is the explosive “Bengai Yo” which closes out the album.

A clear love and passion for music flow throughout Kin Sonic, each track having something new and unique to offer. Jupiter & Okwess are here to prove something that too many people haven’t yet grasped: different isn’t bad. In fact, the weirdness and courage demonstrated on Kin Sonic is not only fascinating, but something that more artists should be aiming for.