Father John Misty Brings The Audience Into The Recording Studio in New Video for “Leaving LA”

Father John Misty’s new music video for “Leaving L.A.” is minimal and black & white, leaving audiences to admire Misty’s musical lament and oddly spherical beard. Accompanied by a string section, Misty’s muted open acoustic chords take a knee to his fairly predictable voice. The song describes a person dissatisfied with L.A. and with the world. He is a misunderstood—“It took me my whole life to learn the G / But the role of Oedipus was a breeze—literary type. He’s sick of “phonies” and new bands. He wants to pack it up and drive to New Orleans.

The video is remarkable for its thirteen minute span and its inside-look into Misty’s recording studio. The song does not follow a typical verse-chorus-verse structure, and the lyrics suggest an author at odds with the world. He sings of abandoned sunsets and choking on watermelon candy with his mom. One has to assume that the song is very personal for Misty, it also seems to be addressed to someone. Leaving so that “I can stop drinking and you can write your script,” Misty ends the song on a cliff, “What we now think is—.”

Attempting a live recording of a thirteen minute song presents obvious problems, but Father John Misty handled it quite well. One wonders whether this was his first take, or if others precede it. Watch it below.

Photography Credit: Owen Ela

Conrad Brittenham: My name is Conrad. I am one year out of college and pursuing a career in writing and journalism. I studied literature at Bard College, in the Hudson Valley. My thesis focuses on the literal and figurative uses of disease in Herman Melville’s most famous works, including Moby-Dick, Benito Cereno, and Billy Budd. My literary research on the topic of disease carried over to more historical findings about how humans tend to deal with and think about the problem of virus and infectivity. I’ve worked at a newspaper and an ad agency, as well as for the past year at an after school program, called The Brooklyn Robot Foundry. All of these positions have influenced the way I approach my work, my writing, and the way I interact with others in a professional setting. I’ve lived in London and New York, and have always had a unique perspective on international cultural matters. I am an avid drawer and a guitarist, but I would like to eventually work for a major news publication as an investigative journalist.
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