Mutoid Man and Royal Thunder Singer Mlny Parsons Cover Miley Cyrus’ “Wrecking Ball”

Photo Credit: Raymond Flotat

Royal Thunder’s Mlny Parsons joined Mutoid Man in covering Miley Cyrus’ “Wrecking Ball,” delivering a familiar hit with a very different feel. A guitarist in ghoulish face paint addresses the crowd, “Good evening ass-butts,” before the muted power chords join Parsons’ voice in a gnarled metal version of Cyrus’ risqué hit.

Their cover follows the same sheet music, so to speak, as the original. Everything is just—metalified. However, they do make one change towards the end. Parsons begins to scream and growl until turning red in the face while Mutoid Man scrambles to, but successfully, matches her intensity.

Mutoid Man is a metalcore group from 2012 that formed in Brooklyn. Stephen Brodsky picks guitar and sings, Ben Koller bangs the drums and Nick Cageao diddles the bass. So far, they’ve released one EP and two studio albums. Their sound, metal at its roots, converges with rock n’ roll, psychedelic rock and math rock like two leopard slugs in heat. Of Breeder, their debut album, Pitchfork noticed that the group embraced “both numbskull hard rock and cerebral progressive metal, at a time when the two approaches have become almost mutually exclusive in heavy music.” It’s the commingling of sounds that makes this group so interesting to hear.

Mlny Parsons hails from Royal Thunder, the hard rock group from Atlanta started by Josh Weaver. Parsons described her experience being a part of a cult as a kid in a recent interview. She mentions that Weaver had been in one when they met, but didn’t know it. The original bass player for Royal Thunder had been in it, too. She described the scene as very artistic and hip, not what one generally thinks of.

Watch the video below.

Photography Credit: Raymond Flotat

Conrad Brittenham: My name is Conrad. I am one year out of college and pursuing a career in writing and journalism. I studied literature at Bard College, in the Hudson Valley. My thesis focuses on the literal and figurative uses of disease in Herman Melville’s most famous works, including Moby-Dick, Benito Cereno, and Billy Budd. My literary research on the topic of disease carried over to more historical findings about how humans tend to deal with and think about the problem of virus and infectivity. I’ve worked at a newspaper and an ad agency, as well as for the past year at an after school program, called The Brooklyn Robot Foundry. All of these positions have influenced the way I approach my work, my writing, and the way I interact with others in a professional setting. I’ve lived in London and New York, and have always had a unique perspective on international cultural matters. I am an avid drawer and a guitarist, but I would like to eventually work for a major news publication as an investigative journalist.
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