Kendrick Lamar’s Damn. Tops Charts Again with Second-Lowest Weekly Total for a #1 Album in Four Years

Kendrick Lamar’s album, DAMN., has stumbled into new territory of record-breaking. Instead of the great heights sought by Guinness, these records only consider the bare minimum. DAMN., which last held the top spot on May 20th, returned from its recluse to overthrow Arcade Fire’s Everything Now, which has since dropped below the top ten.

The album took thirteen weeks of planning and plotting to regain its position at No. 1. After the infamous former Disney star Jake Paul put Lamar down in a tweet after knocking “HUMBLE” off as the No. 1 song on iTunes, DAMN. climbed the ladder of chaos back to its old seat. DAMN. may have clawed its way back to the top, but at 47,000 copies sold per week, its selling at the second lowest rate for a No. 1 album since 2014. Yes, a record, but one about holding the top spot with the least amount of sales. However, it is remarkable to regain the No. 1 spot after almost three months of absence. It signifies timelessness. Perhaps people messed around with Arcade Fire for a bit, but DAMN. is truly the album of the summer.

To understand the significance of Lamar’s position on the scale, it is important to look at how Billboard 200 works. In 2014, Billboard shifted its algorithm from a sales-based rating system to something that measures multi-metric consumption. The shift moves to extend the accounting beyond album sales to digital streams and purchases, giving readers an idea not just of sales but of more general consumption activity, the kind of attention an album gets other than basic purchasing. All major streaming services get taken into account. As for digital purchasing, every ten individual songs purchased will count as an album sale. While the new system gives a much more nuanced perspective on an album’s popularity, the old method will still be available under the title, Top Album Sales.

The last album to hold the No. 1 spot with the least amount of record sales was the Descendants soundtrack in 2015. The soundtrack sold 42,000 in its first week, five thousand less than DAMN. It was the first Disney soundtrack album to reach a No. 1 spot on Billboard. DAMN. now sits in the company of Brett Eldredge, DJ Khaled, Meek Mill, Now 63, 21 Savage, Ed Sheeran, Imagine Dragons, SZA, and Khalid, as leader of the top ten albums.

Photography Credit: Sharon Alagna

Conrad Brittenham: My name is Conrad. I am one year out of college and pursuing a career in writing and journalism. I studied literature at Bard College, in the Hudson Valley. My thesis focuses on the literal and figurative uses of disease in Herman Melville’s most famous works, including Moby-Dick, Benito Cereno, and Billy Budd. My literary research on the topic of disease carried over to more historical findings about how humans tend to deal with and think about the problem of virus and infectivity. I’ve worked at a newspaper and an ad agency, as well as for the past year at an after school program, called The Brooklyn Robot Foundry. All of these positions have influenced the way I approach my work, my writing, and the way I interact with others in a professional setting. I’ve lived in London and New York, and have always had a unique perspective on international cultural matters. I am an avid drawer and a guitarist, but I would like to eventually work for a major news publication as an investigative journalist.
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