On their eighth studio album, This Mirror Weighs A Ton, Interpol gets reflective and melancholic.
The opening track, “This Mirror Weighs A Ton,” is a minimalistic, shoegazey prologue. It’s a brave opening to the album, with reverberating bass and resonant drums. Next is lead single “See Out Loud,” where guitarist Daniel Kessler takes to vocals on the second verse. Sparkling synths provide an interesting flourish to the track, infusing it with glam. “Iron City” is embellished by sizzling drum loops as it’s driven by a heavy bass line. The lyricism is dystopian, fitting for the general bleak themes of the record.
Following “Iron City” is “Wounded Soldier.” This track builds momentum through a staccato groove created by the rhythm and bass line of the track. It fades out and transitions into “Wings On Fire,” which features resonant vocals and a swell of guitars. “Ever the Actor” has a heavy bass line that supports the eerie, wicked feel of the track. It’s a stark contrast to the erratic pop track that follows: “So Rides the Reindeer.” It fits the melancholic theme of the album perfectly, in its wistful and existential sound.
“Darling Thoughts” is highly rhythmic, showing off the talents of drummer Sam Fogarino. Even more restless is “Wake Up,” which features bongos and active percussion, building an antsy feeling till it breaks into alternating string instrumentation. This track contains layers in its production, making it a standout on the album.
Another standout is the piano ballad “Enemy.” With the orchestral composition closing out the track and full percussion, it’s one of the more interesting tracks on the record. “Bird and The Serpent” continues the motif of orchestral outros. It’s a climactic, forceful track with a storming rhythm. “Sudden” closes out the record, beautifully reflective for a final track.
This Mirror Weighs A Ton is a staple for Interpol fans looking for their usual sound, with a few interesting highlights that set the album apart from the others.
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