On July 11, Jack White performed at the Brooklyn Paramount as part of his 25-date 2026 North American tour in support of his seventh solo album, Frozen Charlotte, released by Third Man Records.
The performance was a device-free event, with concertgoers required to place their phones in Yondr pouches upon entering the venue. White has enforced phone-free concerts for several tours, encouraging audiences to remain present and fully engaged with the performance. The policy helped create a shared experience throughout the evening. Before the show, many fans gathered around televisions on the theater’s lower level to watch the closing moments of the FIFA Women’s World Cup match between England and Norway before making their way to the floor.
Providence, Rhode Island punk band Downtown Boys opened the night with a one-hour set for the packed general admission crowd. Known for blending politically charged lyricism with energetic punk, the group performed songs from its latest album, Public Luxury.
White took the stage promptly at 9 p.m., opening with “That’s How I’m Feeling” from his 2024 album No Name before launching into The White Stripes’ “Fell in Love With a Girl.” Without pausing, the band seamlessly transitioned into “Old Scratch Blues” and “Raising the Grain,” a new track from Frozen Charlotte. Throughout the evening, White and his band maintained a relentless pace, flowing effortlessly from one song into the next with almost no downtime. Backed by drummer Patrick Keeler, bassist Dominic Davis and keyboardist Bobby Emmett, White delivered a performance built on precision, spontaneity and sustained energy.
Having established himself as one of rock’s premier guitarists during his time with The White Stripes, White remains a commanding live performer more than three decades into his career. Frequently switching between guitars, he showcased his signature blend of blues, garage rock and improvisation while drawing heavily from both his solo catalog and his work with The White Stripes. Songs including “Hotel Yorba,” “Black Math,” “Cannon” and “Icky Thump” prompted some of the loudest reactions of the night. The audience reflected White’s multigenerational appeal, with longtime fans attending alongside younger listeners discovering his music through family or more recent releases.
The production remained intentionally understated. Flashing stage lights and minimal effects replaced large video screens, placing the focus squarely on the musicians. Brooklyn Paramount’s renovated sloped floor provided excellent sightlines throughout the general admission section, allowing fans to comfortably spread out while remaining close to the stage.
During the encore, White leaned into extended guitar improvisations, allowing the band to stretch songs beyond their studio arrangements. His solos became the focal point of the performance as the audience watched intently. The evening concluded with “Seven Nation Army,” the 2003 White Stripes anthem whose iconic riff has become a fixture at sporting events and concerts around the world.
At a time when many concerts compete for attention on social media, Jack White continues to offer an alternative. By eliminating phones and keeping the production simple, he created an old-fashioned rock show centered entirely on musicianship and audience connection. For two hours, the outside world disappeared, leaving nothing but the music.
Setlist
Thats How Im Feeling
Fell In Love With A Girl (White Stripes Cover)
Old Scratch Blues
Raising The Grain
It’s Rough On Rats (If You’re Asking)
What’s Done Is Done
Hotel Yorba (White Stripes Cover)
Cannon (White Stripes Cover)
John The Revelator (Blind Willie Johnson Cover)
Black Math (White Stripes Cover)
G.O.D. And The Broken Ribs
Derecho Demonico
Icky Thump (White Stripes Cover)
Nobody Knows
Archbishop Harold Holmes
High Ball Stepper
That Black Bat Licorice
Dollar Bill
Seven Nation Army (White Stripes Cover)
Photo credit is Ekaterina Gorbacheva
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