Album Review: NITE – Cult of the Serpent Sun

NITE’s latest album, Cult of the Serpent Sun, is a triumphant fusion of black metal’s raw aggression with the soaring melodies of traditional heavy metal. The San Francisco-based band continues to carve out a unique space in the genre, balancing icy tremolo-picked riffs with anthemic solos and haunting atmospheres. Across eight tracks, Cult of the Serpent Sun evokes a mystical, nocturnal energy that feels otherworldly and intensely visceral. The title track, Cult of the Serpent Sun, sets the stage with its searing guitar work and mid-tempo groove, enveloping the listener in a shroud of dark mysticism. The raspy, blackened vocals contrast beautifully with the classic heavy metal-inspired guitar harmonies, establishing the album’s sonic duality. It’s a powerful opener that signals NITE’s commitment to melody and ferocity.

Skull follows with a more relentless approach, featuring galloping rhythms and a riff-driven assault paying homage to black and speed metal. The track’s structure is tight and dynamic, shifting between atmospheric breaks and full-throttle aggression. There’s a palpable sense of tension and release, making Skull one of the most exhilarating songs on the record. With an accompanying video, CROW (Fear the Night) leans into a gothic atmosphere while maintaining the band’s signature intensity. The melodic interplay between the lead guitar and the rhythm section gives this song an eerie cinematic quality. Lyrically, it conjures images of ominous figures lurking in the darkness, making it one of the most evocative tracks on the album. The Mystic slows things down slightly, allowing the atmosphere to take center stage. The song’s moody intro gives way to a grand, almost storytelling-like progression that feels mythic in scope. The lead guitar work shines here, weaving intricate melodies that elevate the track’s dark, ethereal tone.

The Last Blade is another standout, with its razor-sharp riffing and relentless pace that showcases NITE’s ability to balance melody with sheer intensity. The track carries a sense of impending doom, with an almost cinematic quality to its composition. There’s an undeniable NWOBHM influence here, blended seamlessly with blackened aggression. Carry On introduces a sense of melancholic grandeur, leaning into traditional heavy metal’s more triumphant sensibilities. The contrast between the harsh vocals and the soaring guitar leads creates a dramatic tension that keeps the track engaging from start to finish. The chorus, in particular, has a haunting, almost chant-like quality that lingers long after the song ends. Tarmut stretches past the five-minute mark, taking the listener on an immersive journey through shifting tempos and layers of atmosphere. The song’s slower, more deliberate pacing allows the guitar melodies to breathe, creating a hypnotic effect before the track explodes into a flurry of tremolo-picked fury.

The album closes with Winds of Sokar, a fitting finale that blends all of the album’s elements—icy tremolo riffs, anthemic solos, and an eerie atmosphere—into a climactic finish. The song’s dynamic shifts keep the listener engaged, and its final moments leave a lingering sense of mystery and power. Overall, Cult of the Serpent Sun is a masterclass in balancing aggression with melody, showcasing NITE’s ability to craft compelling, atmospheric, blackened heavy metal. The band continues to refine their sound, and this album feels like a bold step forward. Fans of traditional heavy and black metal will find plenty to love here, making it one of the year’s most exciting and unique releases in extreme music.

Sammy Garcia: Driven by a deep love for music and storytelling, I blend my background in sociology with hands-on experience in music research, documentary filmmaking, and journalism. My work explores the powerful intersections between culture and identity, from Chicano rock's evolution to analyzing lyrics through a sociological lens. Having 3 publications published in the California Sociology Forum at CSULA Sociology student online journal and currently awaiting the 4th to enter the copywriting phase, to film news articles published with A.N. publishing as a Film News Journalist. With a talent for in-depth research and a knack for finding compelling narratives, I aim to shed light on stories that resonate and reveal the pulse of societal change. As a master’s candidate in sociology, I’m continually honing my skills to bring fresh perspectives to music journalism and beyond.
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