There is definitely something fun and exciting with Lee Lewis’s debut, Something Burning, which makes for an enjoyable excursion into the realms of neo-soul. While the EP doesn’t break any new ground within the genre, Lee Lewis’s effortlessly smooth voice, treacly lyricism, and masterful production elevate the album to new heights that would be criminal not to recognize.

From the moment the album opens, the production stuns the listener and pulls them into a mirage of infectious melodies. Tracks like, “FUL,” and “Delusion,” are textbook examples of what makes neo-soul so special. Lee Lewis’s voice is the perfect sound that fits directly into the genre in a way that makes you think this is the role he was born to play. Lush instrumentation is prevalent throughout, and while it may not reinvent the wheel, Lee Lewis is still spinning it with a style and finesse that is pleasantly nostalgic.

What sets Something Burning apart is Lewis’s undeniable talent as both a vocalist and lyricist — both very present within his lyrics. While these songs may adhere to familiar tropes of the genre, Lewis infuses them with a sense of sincerity and passion that makes them feel fresh and compelling. Tracks like “Sugar Baby,” and “Darkest Hours,” are perfect examples of his sense of authenticity that is impossible to fake. Meanwhile, his production skills are on full display throughout the album, with layers of instrumentation adding depth and texture to every track. It’s clear and a feast to hear, playing off of Lewis’s voice perfectly.

While some may be looking for innovation within the album, it’s hard to deny the sheer joy that Something Burning brings. Lewis treads familiar territory with grace and flair, and sometimes that’s all you need to create a truly enjoyable listening experience. So if in the mood for some feel-good neo-soul, look no further than Lee Lewis’s Something Burning. It may not be groundbreaking, but it’s certainly a testament to the enduring appeal of neo-soul done right.