Meth, an experimental metal band from Chicago, returns with their second album in 5 years titled SHAME. However, there was not much of this album that felt very experimental. The album does have its flashes of potential to be something of substance, although as a whole, it felt more like a straightforward metal album. The lead vocals dominate the microphone. The percussion was the star of this album, distinguished amid the distortion.
The drums in certain songs were reminiscent of the start of a battle, as if one were walking towards their opponent on a battlefield. The song “Blush” is one example. Following the intro, the drums, without a hi-hat and the classic lack of low-end kick build up the song, accompanied by drum fills with the tom and a crash cymbal. The blaring vocals on this song are fitting and almost akin to a battle cry, as the drums and distorted guitar lead the listener into the war zone.
When described as experimental noise rock, there is an element of bringing their own twist to the existing genre. However, not much of this was truly experimental. Having the most to offer was “Give In,” which had a fitting title, as eventually the listener gives in to what Meth. is creating here, enjoying the interesting rhythm that the drums chose to follow. It does not seem to have a normal time signature, catching one off guard with the unconventional rhythm, leaving the listener struggling to find the true tempo of the track, which is a good thing.
The moments where the song let the instrumentation do the work were the highlights of the album. Even though the album seemed experimental to the common ear, it was not experimental within the confines of metal, reminiscent of bands such as Helpless and Eyelet. Meth. may not be breaking new ground within the experimental genre, however they offer a commendable addition to modern heavy music, leaving moments that captivate the listener and demand attention.
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