Photo Review: Alessandro Cortini at Immanuel Presbyterian Church

On the evening of March 1, Alessandro Cortini graced the majestic Immanuel Presbyterian Church in Los Angeles with a captivating performance that left a lasting impact on all in attendance. Against the backdrop of the church’s grandeur, Cortini’s minimalist setup of synthesizers, drum machines, and effects pedals came to life, weaving a mesmerizing sonic tapestry that resonated with the audience’s senses.

From the ethereal ambient textures to the thunderous crescendos, Cortini’s masterful use of dynamics and seamless blending of analog and digital sounds created a profound and immersive experience. Each note seemed to carry an emotional weight, drawing listeners into a meditative state where time seemed to stand still.

The concert culminated in a powerful climax that reverberated through the sacred space, leaving everyone in awe of Cortini’s sonic prowess and reaffirming his status as a visionary in the electronic music scene.

All photos by Madison Hedgecock

Madison Hedgecock: Madison Hedgecock was born and raised in Redondo Beach California, a suburb of Los Angeles. From the age of nine he would run around with his dad’s camcorder, filming his friends skateboarding, going surfing, doing pranks, and skits with his friends, trying to emulate the things he saw on MTV. By the age of 15 he was already working on set, assisting for campaigns, editorials, and celebrity photo shoots until he went to College at UCSD. This is where he began to photograph parties, concerts, and snowboarding events for the USCSA. After college, he moved back to Redondo Beach and shot BTS for Access Hollywood while at night shooting comedy shows all around Los Angeles. From there he moved into portraiture and lifestyle photography. He shoots regularly with a team of Musicians and Artists at Ten Times Talent and lives with his wife in Silverlake with his dog Charlie. Madison Hedgecock has shot for Adidas, Topo Chico, Sol Cerveza, Netflix, Pulp Pantry, Later Days Coffee and has been featured in LA Weekly, Artells Magazine, Photohouse, Top Posters and Hollyway Magazine.
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