Eccentric, Rhythmic and Futuristic
Norwegian producer Hans-Peter Lindstrøm recently released his sixth studio album, entitled Everyone Else is a Stranger. Lindstrøm takes a much different approach on this album compared to his previous works, which were delicate and calming. Now, he’s kept his focus on creating more funky-yet-mysterious melodies. While consisting of only four tracks, each piece takes the listener on a musical journey filled with unexpected intricacies.
The first track, “Syreen” begins with a thin, driving drumbeat, along with sixteenth-note-based electric guitar patterns. It becomes apparent very quickly that Lindstrøm is a master of layering different instruments and sounds to construct a terrific groove. Synth swells, piano chords and short, shrieking strings are heard throughout contributing to the danceable yet cinematic vibe. Though the first half of this track focuses on developing the repetitive groove, there is a dramatic build-up in the second half, similar to “Let It Happen” by Tame Impala, where tension gradually rises and dissipates with the re-entrance of the main melody.
A small, spine-tingling detail in records that is much appreciated is a smooth transition from song to song and Everyone Else is a Stranger has plenty of them. The shift between “Syreen” and “Nightswim” is impressively seamless and presents listeners with an ethereal introduction. The vibe of the intro doesn’t last too long, though, as the mood suddenly changes from light and airy to funky and upbeat. This disco-influenced track is filled with catchy basslines, fast arpeggios and sharp, glitchy synth sounds. Lindstrøm also briefly explores a ‘70s-inspired groove that reminisces an Elton John tune before returning to the disco feel.
“The Rind” is a captivating, futuristic club-like track flowing with energy. The slightly ominous, “Thriller”-esque vibe of this track established by the eccentric bleeps and chimes makes this one of the most quirky and enjoyable tunes on the album. Arguably the most memorable part of this track is the huge build up, beginning with the entrance of jazzy, dissonant piano chords, followed by nasally synth notes. The suspense makes the listener anxiously anticipate the glorious release, filled with poppy, syncopated strings and hard-hitting drums.
Everyone Else is a Stranger is a magnificently eccentric album. The twists, turns and little quirks heard throughout this album make for an extremely fun and engaging listening experience.
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