Seattle has a new sound

Trip The Wire’s self-titled debut album is a must-listen for Rush fans, the difference being a heavier, thicker sound. A lot of new albums boast similarities to classic rock bands, paying homage to the musicians that defined an era. Trip The Wire is no different. 

This female-fronted band kicks off their record with “In The Crossfire.” The opening track welcomes listeners with a fast-paced, energetic atmosphere before transitioning into “Anti-Love.” There’s a hint of an ‘80s ballad before the song sharply transitions into another hard rock number. The instrumentals experiment with a myriad of sounds, the vocals calling upon an impressive falsetto and vibrato. 

“Hurricane” is another punchy tune, vocals once again on full display. Although the instrumentals are on point and each song is catchy, the vocals are the focal point, the sound reminiscent of hair metal bands with operatic lead singers. The instrumentals are still a force to reckon with, but it’s obvious that the vocals are intended to be the showstopper. 

As the album progresses, Trip The Wire taps into its more creative side, exploring a variety of sounds, as evidenced in “Zombie Child.” This track delivers yet another dynamic performance that keeps up with the band’s fast-paced sound which listeners can enjoy throughout the entire album. Some songs pave the way for more guitar solos than others and when there is a break in vocals, there are some truly impressive riffs. There’s an honest mix of strong power chords and solo licks, showcasing Trip The Wire’s multifaceted talent. 

Trip The Wire is ideal for listeners who enjoy albums that keep a steady beat. There are moments where certain songs appear to transition into ballads, but the brief interlude is quickly swept up by a powerful beat, offering consistency instead of chaos. Anyone in search of get-up-and-go music should grab this album.