Album Review: High Vis – Blending

An experimental journey

High Vis’s sophomore album, Blending, helps to define the band’s sound. With a fascinating combination of punk vocals and dreamy instrumentals, the album is one of its own. This distinct sound is truly refined throughout the album, taking what might be considered oppositional and melding it into something incredibly original. When the vocals kick in on the first track, one knows that they are in for something special. The entire album takes the listener on an experimental journey, leaving them with a consideration of the vast range of rock music in the 21st century.

From the first note, “Talk For Hours” has a steady, pulsing rhythm. With its lethargic drum work slowly coming to pace with the reverberating guitar, it sounds ethereal. Its extended opening makes for a glimpse into the instrumental prowess of High Vis before exploding into its biting vocal performances. It’s surprising but in the best way. It makes one challenge what they traditionally think of as a more dream-like sound. Considering how this is only their sophomore album, High Vis makes a high impression for its creativity.

“0151” and “Out Cold” take a more aggressive, heavier take on the rock genre; instead of fully delving into the more punk sound. However, it does have the push for a distinct sound. It reminds one of the best of the 1990s while still having a firm standing in the present. The music does not dwell on its influences, instead, it tries to elevate it in a way that sounds prescient.

To mark the middle of the album, “Trauma Bonds” has a softer, warmer feel compared to the previous tracks. Rather than simply exploring the dream pop/shoegaze aesthetic, there is a deliberate measure to ensure that each works at its best possible iteration. Beyond the driving pace, the handiwork of High Vis is unmatched. Their dedication to the craft is nothing short of remarkable, as it takes an intense amount of creativity to meld such genres effortlessly.

“Morality Test” represents the give-and-take manner of inspiration, taking insight from a classic rock while still distinctly fitting into the range of High Vis’s aesthetic. Situated between the bass and drums, the track comes out as a representative of the album, taking from its sources to create something new. The vocals ensure a sort of authority over the listener, with the bass creating a bridge between the verses. It has a power to it that extends far beyond the traditional authorities of rock purists.

To conclude the album, “Shame” begins with the most mellow notes of the album. In its long, extended opening, there is a sort of appreciation that comes from the listener. Beyond being incredibly talented at their craft, “Shame” represents the blend of the entire album. High Vis’s refusal to fit into a single box creates a fascinating exploration not only of what rock is but what it could be. With eclectic influences, the band ensures to create a sound one won’t soon forget.

RaeAnn Quick: RaeAnn Quick is a current undergraduate in the Media/Communication and Editing, Writing, Media programs at Florida State University in Tallahassee, FL. Passionate about anything to do with the arts, you can find her generally listening to music, watching films, or reading. To her, the greatest interest in the arts stems from its ability to shape identities and cultures throughout the world. She hopes to continue writing in the future for publications, as well as pursue graduate degrees in media studies.
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