Nick Cave Says He Wouldn’t Change “Problematic Lyrics” On Older Songs

Photo Credit: Raymond Flotat

Australian singer/songwriter Nick Cave often responds to his fan mail, and he recently took stance against a defending some of his  more controversial lyrics, according to Consequence Of Sound.

A fan recently brought up a line from his 1992 song “Papa Won’t Leave You, Henry,” that reads: “a f*g in a whalebone corset dragging his dick across my cheek,” asking “Are you happy to preserve the lyric as a product of its time, and respect the original content?” Cave responded by stating, “These days, some of my songs are feeling a little nervous. They are like children that have been playing cheerfully in the schoolyard, only to be told that all along they have had some hideous physical deformity.” He goes on to address our rapidly shifting society, “But what songwriter could have predicted thirty years ago that the future would lose its sense of humour, its sense of playfulness, its sense of context, nuance and irony, and fall into the hands of a perpetually pissed off coterie of pearl-clutchers? How were we to know?”

Cave goes on to say, “As flawed as they may be, the souls of the songs must be protected at all costs,” defending the purpose behind some of the more provocative lyrics he had used. “They must be allowed to exist in all their aberrant horror, unmolested by these strident advocates of the innocuous, even if just as some indication that the world has moved toward a better, fairer and more sensitive place.”

Cave concluded his thoughts by stating, “If punishment must be administered, punish the creators, not the songs. We can handle it. I would rather be remembered for writing something that was discomforting or offensive, than to be forgotten for writing something bloodless and bland.”

Photo Credit: Raymond Flotat

Drew Feinerman: I have just completed my senior at the University of Michigan majoring in international studies with an emphasis in political economics and development, with a minor in Chinese language and culture, and I have recently been accepted into the Berklee School of Music's masters of music business program. Although my academic interests include economics, political science, and history, I consider music to be my one true passion. Music is, and has always been, a driving force for the way I think and act every day of my life. I have been playing the tenor saxophone since the age of ten, and playing an instrument at a high level has allowed me to only further my understanding and appreciation for music. While I grew up listening to predominantly classic rock, I soon found myself gravitating toward jazz, hip-hop, funk, and other genres, as my learned to both play and analyze music as a listener. As a writer, I am able to apply my skills both as a musician and a listener, and look forward to the opportunity to being able to express my thoughts on various stories in the music industry.
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