Universal Music Group Confirms Recordings By Soundgarden, Nirvana, Beck, Sonic Youth and More Have Been Lost In 2008 Fire

Universal Music Group claims that alleged damages sustained in a 2008 vault fire as “meritless” amid confirmation that original master tapes or other recordings belonging to 19 artists were either damaged or destroyed in the blaze. Some of the artists impacted by the fire include Elton John, Nirvana, Sheryl Crow, Soundgarden, Beck, R.E.M., Sonic Youth, Peter Frampton and Michael McDonald. Times reporter Jody Rosen who wrote about the fire in 2019, described it as “the biggest disaster in the history of the music business,” but you wouldn’t know that by the reporting on it at the time.

In a statement responding to the latest legal filing, a spokesperson for UMG focused on the artists and estates leading the class action suit, saying, “The plaintiffs’ lawyers have already been informed that none of the masters for four of their five clients were affected by the fire, and the one other client was alerted years earlier and UMG and the artist, working together, were still able to locate a high-quality source for a reissue project.”

The UMG spokesperson continued: “Recognizing the lack of merit of their original claims, plaintiffs’ attorneys are now willfully and irresponsibly conflating lost assets (everything from safeties and videos to artwork) with original album masters, in a desperate attempt to inject substance into their meritless legal case. Over the last eight months, UMG’s archive team has diligently and transparently responded to artist inquiries, and we will not be distracted from completing our work, even as the plaintiffs’ attorneys pursue these baseless claims.”

In 2019, the New York Times published report detailing how UMG allegedly downplayed the fire and the company’s losses. The vault was the main West Coast storage space for UMG’s master recordings, the original recordings upon which all subsequent copies are copied from. A master recording is a song in its original form. The vault also included multi-track recordings, the version of a song which includes all of the isolated instruments and vocals, as well as session recordings that were never released.

Following the Times report, Soundgarden, Tom Petty’s ex-wife Jane, Steave Earle and the estate of Tupac Shakur filed a class action suit on behalf of all artists who may have been affected. UMG, in turn, has maintained that the damages were not that significant and filed a motion to dismiss the suit. The label has also embarked on a massive archival project to ensure artists know whether or not their recordings were affected.

In response, Howard King, an attorney for the artists leading the class action suit, said, “For almost 10 years, UMG concealed from their artists that their most precious assets were lost in the fire and that UMG had collected millions of dollars for those losses, money that should have been shared with the creators of those master recordings. Once UMG cashed in, they apparently discontinued efforts to confirm the magnitude of lost assets, at least until this lawsuit was filed.”

The confirmation of the 19 artists who lost some recordings in the fire appeared in a part of the filing that quotes an alleged UMG response to a discovery query. The reply states, for instance, that “certain original master recordings” belonging to John, Beck, Nirvana, Bryan Adams and Y&T were “affected” by the fire, but that UMG had replacements and/or safety copies for all affected recordings (for John, the label said it was “still working with the artist to determine the extent of such impact”). There were several artists, Michael McDonald, Sonic Youth, Peter Frampton, Slayer and Les Paul, whose recordings were either damaged or destroyed with no mention of any back-ups or safety copies.

Kelly Tucker: Originally from Los Angeles, I grew up listening to all types of music. My first concert was Aerosmith with Skid Row, then moved on to concerts with Metallica, Lollapalooza, Guns N’ Roses, Soundgarden and more. One of my favorite shows of all time was when I was in college and someone took me to see the Allman Brothers play. I also scalped a ticket to see Pearl Jam and the amazing Eddie Vedder sing his heart out. My professional career started in 2000 at Nielsen Business Media where I was an assistant in a sales department and later got promoted to advertising account executive. When the recession hit in 2008 and the magazine was sold, I took a job at a call center and later got promoted to assistant to the CEO and COO of a global company. In 2017, I took a position at a pharmaceutical agency, and now currently responsible for coordinating meeting logistics for physicians and pharma reps throughout the United States. In my spare time, I work at Peace4Kids a non-profit in South Los Angeles and write screenplays in hopes to make a breakthrough.
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